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I think almost everyone who is a long-time fan of the series and enjoyed the feel of the first six installments is going love Final Fantasy IX. As for the people who are new to the series, FFIX will be different from what they've experienced up to this point. Some may be quick to embrace it, while it will probably turn many people off.So how much of Final Fantasy IX is a retro experience? To begin with, FFIX's plot shows the effort to return to the style of pre-PSX Final Fantasies. The world of FFIX is vastly medieval, with technology playing a limited role. It's still a world of mixed genres, but when you spend the game walking through castles and cobblestone paths instead of concrete roads and neon skyscrapers, you can tell the difference.
The party is back up to four, a welcome correction after two games with the decidedly underwhelming party of three. This four-person party is very important, because like early FFs, the emphasis in FFIX is on having a well-balanced party instead of highly customizable individual characters. In FFVII and VIII, the characters were basically blank slates that you could build up any way you wanted, with very few individual characteristics (basically the limit breaks). In FFIX, characters each have classes once again-- not every character can do every technique or spell. There are fighters who will never be able to cast magic and mages who will be extremely weak fighters but powerful magic users. You also have characters who are mostly healers, and the return of FF classes like Dragoon and Blue Mage. The idea of course is to create a balanced party using these classes
Style of rock music characterized by melodic musicianship and expressive, often confessional lyrics. It originated in the mid-1980s hardcore punk movement of Washington, D.C., where it was known as "emotional hardcore" or "emocore" and pioneered by bands such as Rites of Spring and Embrace. As the style was echoed by contemporary American punk rock bands, its sound and meaning shifted and changed, blending with pop punk and indie rock and encapsulated in the early 1990s by groups such as Jawbreaker and Sunny Day Real Estate. By the mid 1990s numerous emo acts emerged from the Midwestern and Central United States, and several independent record labels began to specialize in the style.
Emo broke into mainstream culture in the early 2000s with the platinum-selling success of Jimmy Eat World and Dashboard Confessional and the emergence of the subgenre "screamo". In recent years the term "emo" has been applied by critics and journalists to a variety of artists, including multiplatinum acts and groups with disparate styles and sounds.
In addition to music, "emo" is often used more generally to signify a particular relationship between fans and artists, and to describe related aspects of fashion, culture, and behavior.
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